© Ted Brummond
Alyson Hagy is the author of eight works of fiction, including the novel Scribe, published by Graywolf Press, which was an NPR and BBC best book of the year in 2018. The recipient of fellowships from the National Endowment for the Arts and the Christopher Isherwood Foundation, her fiction has been awarded a Pushcart Prize, a Nelson Algren Award, and appeared in Best American Short Stories. She teaches at the University of Wyoming.
Noon to 12:30 p.m.
State Capitol Building, Private House Dining Hall
Scribe: A Novel
12:45 p.m. to 1:30 p.m.
Barnes & Noble Bookselling Tent
Scribe: A Novel
“Scribe, which begins with the baying of hounds and ends with silence, reminds us on every page that humans remain the storytelling animal, and that therein might lie our salvation. . . . In this brave new world, a woman with a pen may prove mightier than a man with a sword.” — The New York Times Book Review
A brutal civil war has ravaged the country, and contagious fevers have decimated the population. Abandoned farmhouses litter the isolated mountain valleys and shady hollows. The economy has been reduced to barter and trade.
In this craggy, unwelcoming world, the central character of Scribe ekes out a lonely living on the family farmstead where she was raised and where her sister met an untimely end. She lets a migrant group known as the Uninvited set up temporary camps on her land, and maintains an uneasy peace with her cagey neighbors and local enforcer Billy Kingery. She has learned how to make papers and inks, and she has become known for her letter-writing skills, which she exchanges for tobacco, firewood, and other scarce resources. An unusual request for a letter from a man with hidden motivations unleashes the ghosts of her troubled past and sets off a series of increasingly calamitous events that culminate in a harrowing journey to a crossroads.
Drawing on traditional folktales and the history and culture of Appalachia, Alyson Hagy has crafted a gripping, swiftly plotted novel that touches on pressing issues of our time—migration, pandemic disease, the rise of authoritarianism—and makes a compelling case for the power of stories to both show us the world and transform it.
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