Russell Lord is the Freeman Family Curator of Photographs at the New Orleans Museum of Art.
Will be posted when available
East of the Mississippi: Nineteenth-Century American Landscape Photography
An important reconsideration of landscape photography in 19th-century America, exploring crucial but neglected geographies, practitioners, and themes
Although pictures of the West have dominated our perception of 19th-century American landscape photography, many photographers were working in the eastern half of the United States during that period. Their pictures, with the exception of Civil War images, have received relatively scant attention. Redressing this imbalance is East of the Mississippi, the first book to focus exclusively on the arresting eastern photographs that helped shape America’s national identity. Celebrating natural wonders such as Niagara Falls and the White Mountains as well as capturing a cultural landscape fundamentally altered by industrialization, these works also documented the impact of war, promoted tourism, and played a role in an emerging environmentalism.
Showcasing more than 180 photographs from 1839 to 1900 in a rich variety of media and formats—from daguerreotypes, salted paper prints, tintypes, cyanotypes, and albumen prints to stereo cards and photograph albums—this volume traces the evolution of eastern landscape photography and introduces the artists who explored this subject. Also considered are the dynamic ties with other media—for instance, between painters and photographers such as the Bierstadt and Moran brothers—and the distinctive development of landscape photography in America.
Pride of Place: The Making of Contemporary Art in New Orleans
Pride of Place: The Making of Contemporary Art in New Orleans celebrates art collector and gallery owner Arthur Roger’s transformational gift of his entire personal art collection to the New Orleans Museum of Art. Spotlighting one of the city’s most groundbreaking contemporary art collections, the exhibition (on view June 23–September 3, 2017) explores the rise of modern and contemporary art in New Orleans. Since its founding in 1978, the Arthur Roger Gallery has been one of New Orleans most exciting venues for contemporary art.
Roger’s personal collection of more than eighty paintings, photographs, and sculptures reflects the gallery’s storied forty-year history as well as Roger’s skill and sophistication as an art collector. Bringing together artworks Roger has collected from the 1970s through today, Pride of Place unfolds as an evolving narrative about place, identity, and belonging in New Orleans’ contemporary art scene over the course of the last four decades. Roger’s personal art collection reflects the city’s dynamic local culture while at the same time responding to more national and international concerns. Incorporating many of the artists that the gallery exhibited over the years, Roger’s collection includes experimental works by regional artists as well as vanguard works made all across the country. The artists included in his collection—many of whose work he purchased long before they became established voices in contemporary art—demonstrate Roger’s trailblazing early engagement with gender, sexuality, and race. Alongside other influential early New Orleans galleries, such as the Orleans Gallery and Galerie Simonne Stern, Roger was instrumental in putting the art of New Orleans into conversation with the broader art world, and into dialogue with the pressing social and political issues of the time, from the AIDS crisis to Hurricane Katrina and the lingering effects of environmental and man made disasters affecting Louisiana. Roger opened his gallery at a moment when the field of contemporary art was rapidly expanding, incorporating more diverse perspectives. His gallery helped reframe the conversation about regional art, showing how the art of the broader United States—and especially the diverse and eclectic artistic culture of New Orleans—could offer a more expansive and inclusive view of American art and identity.
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