Clive Wilson

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Biography

Originally from England, Clive Wilson arrived in New Orleans in 1964 and eventually settled there, studying trumpet with some of the legends such as Kid Howard, DeDe Pierce, Punch Miller, and Alvin Alcorn. He gained further experience as a member of the Young Tuxedo Brass Band and Papa French’s Original Tuxedo Jazz Band. Since forming the Camellia Jazz band in 1979, Clive has recorded, toured, and played jazz festivals in Europe and New Orleans many times.


Schedule

10:45 a.m. to 11:15 a.m.
Senate Committee Room E
Book Talk
Time of My Life: A Jazz Journey from London to New Orleans

11:30 a.m. to 12:15 p.m.
Barnes & Noble Bookselling Tent
Book Signing


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Time of My Life: A Jazz Journey from London to New Orleans

New Orleans is a kind of Mecca for jazz pilgrims, as Whitney Balliett once wrote. This memoir tells the story of one aspiring pilgrim, Clive Wilson, who fell in love with New Orleans jazz in his early teens while in boarding school in his native England. It is also his story of gradually becoming disenchanted with his family and English environment and, ultimately, finding acceptance and a new home in New Orleans.

The timing of his arrival, at age twenty-two, just a few weeks after the signing of the 1964 Civil Rights Act and the end of legal segregation, placed him in a unique position with the mostly African American musicians in New Orleans. They showed him around, brought him into their lives, gave him music lessons, and even hired him to play trumpet in brass bands. In short, Wilson became more than a pilgrim; he became an apprentice, and for the first time, legally, in New Orleans, he could make that leap.

Time of My Life: A Jazz Journey from London to New Orleans tells the story of Wilson’s journey as he discovers the contrast between his imagined New Orleans and its reality. Throughout, he delivers his impressions and interactions with such local musicians as “Fat Man” Williams, Manuel Manetta, Punch Miller, and Billie and DeDe Pierce. As his playing improves, invitations to play in local bands increase. Eventually, he joins in the jam and, by doing so, integrates the Original Tuxedo Jazz Band, which had been in continuous existence since 1911. Except for a brief epilogue, this memoir ends in 1979, when Wilson assembles his own band for the first time, the Original Camellia Jazz Band, with musicians who had been among his heroes when he first arrived in New Orleans.

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