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Joe Formichella (joe_formichella@yahoo.com) is a multiple literary award winner, including a Hackney Literary Award (short fiction) and a Foreword magazine nonfiction book of the year for Murder Creek. He was also a finalist for a national IPPY award for true crime (Murder Creek), a finalist for a New Letters Literary Prize, and a Pushcart Prize nominee. An experienced audiobook recorder, he lives near Fairhope, Alabama, at Waterhole Branch Productions, with his wife, author Suzanne Hudson.

 


Schedule

Will be posted when available


The Best of the Shortest: A Southern Writers Reading Reunion

“This collection is quite positively on fire with humor and heartache, darkness and light, and countless blazing turns of phrase. An essential addition to every Southern reader’s collection. I have known and admired a fair number of writers in these pages for a long time but seeing their work all together like this fills me up with love, love, love.”—Michael Knight, Eveningland, winner of a Truman Capote Award, a NYTimes editor’s pick, and a Southern Book of the Year (Southern Living Magazine).

 

Short stories from the following authors are included:

  

Marlin Barton + Rick Bragg + Sonny Brewer + Doug Crandell + Pia Z. Ehrhardt + David Wright Faladé + Beth Ann Fennelly + Joe Formichella + Patricia Foster + Tom Franklin + Robert Gatewood + Jason Headley + Jim Gilbert + Frank Turner Hollon + Suzanne Hudson + Joshilyn Jackson + Bret Anthony Johnston + Abbott Kahler + Doug Kelley + Cassandra King + Suzanne Kingsbury + Dawn Major + Bev Marshall + Michael Morris + Janet Nodar + Jennifer Paddock + Theodore Pitsios + Lynn Pruett + Ron Rash + Michelle Richmond + R. P. Safire + Dayne Sherman + George Singleton + Robert St. John + Sidney Thompson + Daniel Wallace + Daren Wang + James Whorton, Jr. + Mac Walcott + Karen Spears Zacharias


Lumpers, Longnecks, and One-Eyed Jacks

"...although we know these marginal folks might be a train wreck waiting to happen, we would dearly miss them if they weren’t there—refusing to fit neatly, safely beneath the bell curve." -- R.P. Saffire, author of Shoe Burnin’ Season: A Womanifesto

Lumpers is a family story, or rather, it’s a story about what constitutes a family, a lot like what constitutes a rock-and-roll band: if it works, it’s worth it, all other expectations be damned.

The principal lumpers, Steph Abrams and Tony Zimbarco, chance to meet in Tripoli, Pennsylvania, in 1979, and commence assembling their ad hoc family piece by piece. Before long they are a full fledged unit, with a matriarch, of sorts, a patriarch, certainly, a designated pet, habits, rituals, even their own holiday. But it is in no way a textbook family, would never be sanctioned. As such, it is open to questioning, criticism, ridicule, and judgment. They ignore it all.

The lumpers are just one portion of the legions of folks who work behind the scenes, the folks we rely on to keep the shelves stocked, the streets clean, the ports operating, and the systems we depend on so thoroughly functioning. They make no headlines, unless something goes wrong. They receive no accolades or attention, unless they deviate. When that happens, then they’re noticed.

For our Lumpers, though, deviation is the only option. In a life so otherwise proscribed, a life dictated by an indifferent and unforgiving time clock, deviation is survival. So they do, regularly, from the poolroom to the basketball court, the baseball stadium and the laundry mat. They ignore traffic rules and social mores equally. For that they are deemed unacceptable, irresponsible.

But those judgments reveal more about the adjudicators than the condemned. Because just as we are certainly glad that they do what they do, that is, that they perform their jobs, even if that appreciation is only expressed by the assumption that they will – or pathetic whining when they don’t – in the case of the Lumpers, life is clearly more fun when they’re around, and we’re definitely going to miss them when they’re gone.

"Because all lives start with a crash, don’t they?" -- Joe Taylor, author of Pineapple, Ghostly Demarcations